Less successful are Carol Arthur as Hildy and Gillian Lewis as Claire. Cast Gene Kelly Gabey, Choreography, Director Frank Sinatra Chip Betty Garrett Brunhilde Esterhazy Ann Miller Claire Huddesen Jules Munshin Ozzie Vera-Ellen Ivy Smith Florence Bates Mme. Set Designer. Rack up 500 points and you'll score a $5 reward for more movies. Goofy ladies’ man Ozzie is looking for a date - -maybe seven or eight - and studious innocent Chip, guidebook in hand, has several days’ worth of tourist attractions to check off his list. Two songs missing from the first LP release of this album, the female chorus number “Do Do Re Do” and Pitkin’s “I Understand,” sung by George Gaynes, were restored for the Sony CD. Beowulf Boritt. An LP was released and quickly became a collectors’ item. Gain full access to show guides, character breakdowns, auditions, monologues and more! Synopsis. Rather than issuing an integral recording of the Leonard Bernstein-Betty Comden-Adolph Green musical On the Town, which was certainly a big hit, Decca produced 78rpms of Nancy Walker doing her solo “I Can Cook, Too” and performing the quartet “Ya Got Me” as another solo; Comden and Green in their duet “Carried Away”; the Lyn Murray Chorus in the show’s opening sequence (including “I Feel Like I’m Not Out of Bed Yet” and “New York, New York,” but with no dialogue); and Mary Martin crooning the two ballads that were sung in the show by John Battles as Gabey, “Lucky to Be Me” and “Lonely Town.” All of these recordings, plus an extended version of the opening sequence, are included on the 1991 MCA CD, along with selections from Fancy Free (the Jerome Robbins ballet that inspired On the Town) as performed by the Ballet Theatre Orchestra under the direction of composer Bernstein. As an appendix, we get yet another cut song, “The Intermission’s Great.” — J.D. Studio Cast, 1996 (JAY, 2CDs) (3 / 5) This “First Complete Recording” of On the Town boasts a commitment to character truth that deeply engages the listener; the five singing principals are exactly right from a vocal standpoint, and they illuminate the material. Choreographer. 1. We know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime. Cheshire, CT, Pericles Ron Husmann, Donna McKechnie, Phyllis Newman, Bernadette Peters, Tom Avera, Marilyn Cooper, Zoya Leporska, Remak Ramsay, Jess Richards, Fran Stevens. Ron Field. Walker and Alexander are perfect in “Come Up to My Place,” as are Comden and Green in “Carried Away,” while Reardon lends his warm, clear baritone to “Lonely Town” and “Lucky to Be Me.” The choral work is fine, and we are even treated to Bernstein himself doing some singing as Rajah Bimmy in “The Real Coney Island” Ballet. The album includes the show’s rarely recorded overture, but almost all of the ballet music is abridged. College/University, Community Theatre, Diverse Cast, High School, Professional Theatre, Regional Theatre, Small Cast, Disenchanted!" The orchestra is magnificent and the live-performance energy of the cast is palpable. Musical Director. Cleo Laine sings the second restored song, “Ain’t Got No Tears left,” and Adolph Green makes a cameo appearance as Rajah Bimmy in “The Real Coney Island” ballet. Nancy Walker, Cris Alexander, Betty Comden, and Adolph Green were all present, and the excellent John Reardon joined them as Gabey. But when idealistic Gabey falls for the photograph of lovely Miss Turnstiles, a subway beauty queen, they all join in an ambitious scavenger hunt around the city to locate this dream girl -- and, on the way, find all of the romance, adventure, and New York atmosphere for which they could wish.
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The performances are so fresh that the recording sounds as if it were made right after the show opened on Broadway; Bernstein’s conducting is sensational in all of the ballet music and in the wonderful songs, too. Ron Field. Directed by Stanley Donen, Gene Kelly. Jersey Boys An indispensable recording. Three sailors on a day of shore leave in New York City look for fun and romance before their twenty-four hours are up. — Jeffrey Dunn. Two songs missing from the first LP release of this album, the female chorus number “Do Do Re Do” and Pitkin’s “I Understand,” sung by George Gaynes, were restored for the Sony CD. Looking for movie tickets? Joshua Bergasse. Tyler Posey realizes he's on his own in an exclusive clip from 'Alone,' now on FandangoNOW, What to Watch on FandangoNOW: ‘Unhinged,’ ‘The Opening Act,’ Miranda July’s ‘Kajillionaire’ and More, This Week in Family Movie News: ‘Thomas & Friends’ Coming Down the Track, First ‘Addams Family 2’ Teaser and More. Based on the ballet by. Fandango helps you go back to the movies with confidence and peace of mind. With a soaring score by Leonard Bernstein and humorous, highly intelligent lyrics by Betty Comden and Adolph Green, On the Town features the seductively upbeat “I Can Cook, Too”, the melancholically beautiful ballad “Lonely Town”, and that most iconic of tunes, “New York, New York.”. The three male leads are much better than the rest of the cast: Don McKay is an excellent Gabey, Elliott Gould is a funny, underplayed Chip, and Terry Kiser is quite good as Ozzie. — J.D. movie theaters are playing On the Town near you.
Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites. Research Playwrights, Librettists, Composers and Lyricists, With the pomp and fanfare of New York City, the brassy lyricism of Leonard Bernstein, and the sweet immediacy of a day of freedom during a time of war, On the Town is an American classic, beloved both for its moment in history and for its timeless qualities of youth and exuberance.
Jerome Robbins. Gregg Edelman and Kim Criswell deliver the goods in “Come Up to My Place,” and Criswell raises the roof with “I Can Cook, Too,” complete with encore. — J.D. Dilyovska Alice Pearce Lucy Shmeeler George Meader Professor Walter S. Baldwin Sign Poster Eugene Borden Waiter Claire Carleton Redhead Hans Conried Francois, … New York, NY, Twelve Angry Men With the pomp and fanfare of New York City, the brassy lyricism of Leonard Bernstein, and the sweet immediacy of a day of freedom during a time of war, On the Town is an American classic, beloved both for its moment in history and for its timeless qualities of youth and exuberance. Dilly; and basso Samuel Ramey’s “I Understand” is impressive. Lighting Designer. Producer. Earn 125 points on every ticket you buy. Though the performance is well conducted by Lawrence Leonard, this recording is not a necessity. Get your swag on with discounted movies to stream at home, exclusive movie gear, access to advanced screenings and discounts galore.
Joined by Claire, a sophisticated anthropologist with a red-hot heart, and Hildy, a sweetly aggressive cab driver on the lam, the sailors careen through museums and nightclubs, Carnegie Hall and Coney Island, before Gabey and Ivy are finally united -- just in the knick of time. As Gabey, Ethan Freeman is vulnerable in “Lonely Town” (the previously unrecorded chorale section of the song after the “Pas de Deux” is haunting), and his “Lucky to Be Me” is exuberant. Studio Recording With Original Cast Members, 1960 (Columbia/Sony) (5 / 5) In 1960, legendary cast-album producer Goddard Lieberson reassembled most of the original On the Town principals and brought them into a studio to record virtually the entire score with Leonard Bernstein conducting. Join StageAgent today and unlock amazing theatre resources and opportunities. Director. "I Feel Like I'm Not Out of Bed Yet" – Shipyard worker (from Leonard Bernstein's score) Jason Lyons. Original Broadway Cast Members, 1944 (Decca/MCA) (2 / 5) Record companies treated Broadway musicals pretty poorly until the concept of the original cast album became firmly entrenched, so this collection is mainly of interest for its historical value. Nancy Walker, Cris Alexander, Betty Comden, and Adolph Green were all present, and the excellent John Reardon joined them as Gabey. When respectively paired with them in the comic duets “Carried Away” and “Come Up to My Place,” musical theater veterans David Garrison (who plays Ozzie) and Daly blend with ease; and when these four team up for the rueful “Some Other Time,” any barriers between Broadway and classical music are broken.
With Gene Kelly, Frank Sinatra, Betty Garrett, Ann Miller. Enter your location to see which Collect bonus rewards from our many partners, including AMC, Stubs, Cinemark Connections, Regal Crown Club when you link accounts. Original London Cast, 1963 (CBS/Masterworks Broadway) (2 / 5) The first London production of On the Town was based on a critically acclaimed but unsuccessful Off-Broadway production; the principals of that staging were imported for the occasion, but the London edition also failed to become a hit.
Columbia Records assembled most of the principals who appeared in the play: Nancy Walker (Hildy, the taxi driver), Adolph Green (Ozzie, a sailor), Betty Comden (Claire, the anthropologist) and Chris Alexander (Chip, a sailor who's being pursued by Hildy). Costume Designer. Philadelphia, PA, Accessibility Statement Terms Privacy |StageAgent © 2020. With brash, spectacular, and slightly bittersweet abandon, On the Town is a tale about seizing the day and living life to its fullest. Milton Rosenstock. SEE DETAILS. A New Musical Comedy - Stay-at-Home Version. Sign up today to unlock amazing theatre resources and opportunities.
London Concert Cast, 1992 (DG) (4 / 5) On the Town in concert, with an all-star cast from the worlds of Broadway and opera plus Michael Tilson Thomas conducting the London Symphony Orchestra, sounds like a great idea-and, indeed, it was.
Tim Flavin and Judy Kaye, in the roles that Betty Comden and Adolph Green wrote for themselves to play in 1944, are solid in “Carried Away.” The two couples raise their voices joyously when cheering up Gabey in “Ya Got Me” and heartbreakingly when they prepare to part in the melancholic “Some Other Time.” The ballet music is complete and excitingly conducted by John Owen Edwards — as are the overture, the entr’acte, the exit music, the amusing nightclub sequence, and even the deleted “Gabey’s Comin’.” — J.D. Included are two previously cut songs: “Gabey’s Comin'” (“Pickup Song”) introduces tunes subsequently used as leitmotifs in the score, and its importance as a missing link is explained in the first-rate CD booklet notes written by Ethan Mordden. Jess Goldstein. Tyne Daly is tops as the tough Hildy, especially in “I Can Cook, Too.” As Claire and Chip, Frederica von Stade and Kurt Ollman prove themselves to be opera singers who can successfully “cross over” to Broadway. Thomas Hampson uses his creamy baritone well in Gabey’s songs; Evelyn Lear is very fine as Mme.