[10], During the peak of her success, Eagels began abusing drugs and alcohol and eventually developed an addiction.
Főszereplője, Sadie Thompson egy prostituált, akit egy misszionárius keresztény hitre próbál téríteni. Házasságuk nem volt zökkenőmentes, Eagelsnek sok szeretője volt.
As far as the audience of the moment is concerned others have never been. Broadway critics and audiences had grown accustomed to Eagels in more substantial fare, and on opening night, it was Leslie Howard whom the audience cheered, calling for Howard to take curtain calls.
The studio heads did their best to keep this information out of the press and continually reported that her frequent trips to the sanitarium was due to a hereditary illness. She followed up their joint triumph with two more co-starring ventures with Arliss, "Disraeli" and the even-more-popular play "Hamilton."
A true artist never 'plays to the audience.' I took it all quite seriously and said ALL the words without a quiver.
"First off, she knew to perfection, and adhered to as to a religion, the art of listening in acting. Good friend Clifton Webb didn't believe Jeanne died of anything alcohol or drug related. In the hospital waiting room, she suffered a convulsion and died.Three autopsies were conducted over the following three months and reached three different conclusions as to the cause of her death, which was variously attributed as an overdose of alcohol, the tranquilizer chloral hydrate, and heroin in the successive autopsy reports. "She began her climb up the greasy pole of Broadway stardom by appearing as a chorus girl.
1915 erschien sie in ihrem ersten Film. Bell asked studio management to terminate Eagels' contract, which they did. Once I had begun I could not be stopped. Fundamentally, Jeanne was much superior to us.
She was pursued by producer David Belasco, theater owner Lee Shubert, and the Prince of Wales, the future Duke of Windsor.About actors, Jeanne Eagels was quoted as saying, "We are glorious, unearthly people, set above all others because of our genius, our capacity to sway others, to make them laugh and cry, or make them live a romance we but play." amerikai színésznő. Jeanne was nominated posthumously for Best Actress at the first Academy Awards ceremony in 1929 but lost to Mary Pickford. | Eagels played opposite George Arliss in three successive plays in 1916 and 1917. Eagels soon was playing leading roles in the stock company's repertory, including "Camille," "Romeo and Juliet," and "Uncle Tom's Cabin." With the aid of physician-prescribed dope, Jeanne Eagels continued her hectic dual-career of making movies during the day while acting on stage at night. Later, a myth arose that Eagels' began her career as a circus performer. Now, Mr. Belasco puts acting, like every other element of a production, upon an artistic basis. She appeared opposite John Gilbert in the MGM film Man, Woman and Sin (1927), directed by Monta Bell. "Eagels took a trip to Paris, where she likely studied acting with Beverly Sitgreaves, an expatriate American actress who had appeared with Sarah Bernhardt, Eagels' idol. The opportunity came her way when another actress turned down the role of the prostitute Sadie Thompson in the theatrical adaptation of W. Somerset Maugham's short story "Rain.
3.0, 1929: legjobb női főszereplő (jelölés: posztumusz) –, A lap utolsó módosítása: 2020. március 31., 12:31. When the company returned to Broadway after the road show, re-opening at the Gaiety Theatre on September 1, 1924, "Rain" starring Jeanne Eagels ran for another 648 performances, transferring to the New Park Theatre on December 15, 1924. Eagels wurde posthum für die zweite Oscar-Verleihung für den Oscar für die beste Darstellerin für ihre Rolle in The Letter nominiert . Her first marriage was to actor Morris Dubinsky whom she married when she was a teenager.
"Acting genius--that is, the power of enhancing a written character to a plane that neither author nor director can lay claim to -- Miss Eagels had at her beck and call, whether in tragedy or in comedy. Publicity Listings And then would come the superbly tragic entrance, for example, of Sadie Thompson in the last act of 'Rain,' with its flawless blend of bitter disillusionment, irony, revenge, terror.
(I do see a bit of a resemblance!) Sadie Thompson belonged to Jeanne Eagels, and the touring company of "Rain" toured for four years.In 1917, Eagels had said, "I am timid and afraid of men and far too busy to become well acquainted with them. "When the film was released, Eagels' performance received mixed reviews, but the picture was a failure primarily due to the poor reviews garnered by Gilbert. - Oktober 1929) war eine amerikanische Bühnen- und Filmschauspielerin. She won the part, and also won great reviews during the tour's swing through the South. Ein ehemaliger Ziegfeld Mädchen ging Eagels zu mehr Ruhm am Broadway auf und in den aufstrebenden Medium Tonfilm.Sie wurde für den posthum nominiert Oscar für die beste Schauspielerin für ihre Rolle 1929 in The Letter nach plötzlich in jenem Jahr im Alter von 39. Gilbert, whom she reportedly had an affair with, said Eagels was the most temperamental actress he had ever worked with. ?)
She also adopted an English accent as David Belasco, the legendary theatrical impresario, had commented that she spoke like an "earl's daughter. She changed the spelling of her name from Eagles to Eagels because she thought it looked better in lights. They gave me the chance to play Shakespeare because nobody else of the tender age of seven would do so. The ban essentially ended her stage career in New York and the rest of the country, although it could not stop her from appearing by herself on stage in non-Equity venues.
Arliss was full of praise for Eagels.In Paris, Eagels attracted the attention of Julian Eltinge, the famous Broadway female impersonator, though they were not introduced.
[11], In September 1929, Eagels underwent eye surgery at St. Luke's Hospital in New York City.
Ereiben ír, német és francia vér csörgedezett. It is the original spelling, not the stage spelling that is engraved on her headstone in Kansas City, Missouri. Many times backstage I'd be waiting for my entrance cue and suddenly Jeanne would start to build a scene, and [we] would look up from our books at once. The Dubinsky Brothers did use a tent to put on their shows, but they did not present carnival acts but performed popular comedies, musicals, and dramas.