"God and Mama" performed by Mama Maria Frasca, Dreamaway Lounge, Becket, MA, "Salt Pork, West Virginia" performed by Ramblin' Jack Elliot, Seacrest Motel, Falmouth, MA October 29, 1975, "What Will You Do When Jesus Comes" performed by Bob Dylan, Studio Instrumental Rentals, NYC, October 1975, "Little Moses" performed by Bob Dylan, Studio Instrumental Rentals, NYC, October 1975, "Longheno de Castro" performed by Ramblin' Jack Elliot, Gerdes Folk City, NYC, October 23, 1975, "Romance in Durango" performed by Bob Dylan, Montreal Forum, December 4, 1975, "One More Cup of Coffee" performed by Bob Dylan, Montreal Forum, December 4, 1975, "Sara" performed by Bob Dylan, Montreal Forum, December 4, 1975, "Patty’s Gone to Laredo" performed by Bob Dylan, Studio Instrumental Rentals, NYC, October 1975, "Never Let Me Go" performed by Bob Dylan and Joan Baez, Montreal Forum, December 4, 1975, "Just Like a Woman" performed by Bob Dylan, Harvard Square Theater, Cambridge, Massachusetts, November 20, 1975, "In the Morning" performed by Hal Frazier, Seacrest Motel, Falmouth, MA, October 29, 1975. This exchange is shown in the Netflix film, With Blood On The Tracks, Bob Dylan bid an angry, ragged farewell to his wife, Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, "Scorsese's New Dylan Documentary Is the Rebirth Myth America Need", Live 1961–2000: Thirty-Nine Years of Great Concert Performances, Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings, Bob Dylan: The Complete Album Collection Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, Vol. Also evident is the Cubist approach of the two films, allowing us to see the main characters from the different perspectives of various lovers. [29][30] Gill writes that this song expresses admiration for Sara's "Zen-like equanimity: unlike most of the women he met, she wasn't out to impress him or interrogate him about his lyrics." From Newport to the Ancient Empty Street in L.A. —Preceding unsigned comment added by Ushi5 (talk • contribs) 05:13, 12 October 2009 (UTC), Oh, and why does this article have an "Arlo Guthrie" tag when Arlo isn't even mentioned? En su formato original, el largometraje duraba cerca de cuatro horas. Discussing his parents' marriage, Jakob Dylan said in 2005: "My father said it himself in an interview many years ago: 'Husband and wife failed, but mother and father didn't.' Renaldo and Clara is a 1978 American film directed by Bob Dylan and starring Bob Dylan, Sara Dylan and Joan Baez. Existen numerosas similitudes entre ambos largometrajes, entre ellas la duración del filme, las escenas de camerinos y del escenario, así como diálogos recurrentes. [32], A fictional version of the marriage of Dylan and Sara is featured in the Bob Dylan biopic I'm Not There, where Heath Ledger plays a Dylan-like performer and Charlotte Gainsbourg plays Claire, a character based on a combination of Sara Dylan and Suze Rotolo. In "Sara" from the 1976 album Desire, Dylan calls her a "radiant jewel, mystical wife." The only parts of the movie to be released for consumers are the excerpts found on the bonus DVD accompanying the initial release of Dylan's The Bootleg Series Vol. Check wikipedia or the internet for the history of this film. (replaced If Ever I See You Again ) 1978 Stinkers Bad Movie Awards, Stinkers Bad Movie Award for Worst Picture, The Bootleg Series Vol. Also evident is the Cubist approach of the two films, allowing us to see the main characters from the different perspectives of various lovers. Bob Dylan on tour with the Rolling Thunder Revue in 1975; concert footage, documentary interviews and bizarre improvised character scenes. [10] Journalist Nora Ephron first made the news public in the New York Post in February 1966 with the headline "Hush!